Coraline by Neil Gaiman is a fairy-tale esque story about a ten-year-old girl that discovers a doorway into a mirror-like world in her new apartment. This world is inhabited by her "other" mother and father, as well as alternate versions of the other tenants in the buildings. Her other parents are attentive and fastidiously loving, unlike her somewhat absent-minded and busy parents in the real world. Coraline is lured further and further into this world, before discovering that the "other mother" is actually a creature from nightmares that spins her trap out of the wishes of unhappy children. Coraline is a brave, imaginitive, resourceful girl, the perfect heroine for a reader to invest themselves in. Gaiman's prose is, as always, dark and eerie, weaving a childhood nightmare into an urban fairy tale quite deftly. The issues I had with the story where few; generally, I didn't always buy that Coraline was such a young girl. There were moments when her gravity and intellect seemed far beyond her prescribed ten years, which was only distracting in that I don't care for idealized characters. The syntax also fell flat in parts - it wasn't as vivid or as energetic, reading more like a Victorian tale (which may have been the point, I don't actually know). But the villain was suitably creepy, and the final scene was so disturbing me to me that I actually dreaded seeing it in the film. So overall, it's a good read - although I don't think I would ever actually let my child read it unattended.
All my issues with the book were ironed out and perfected in the film. Henry Selick takes the story and breathes an all-together new life into it, creating breathtakingly gorgeous scenes with stop-motion animation. Coraline, voiced by Dakota Fanning, is all that she is in the book, with a few key adjustments: in addition to being bored, she's impatient; she's intelligent and creative, but with the limited experience of a child. She needs help finding the answers in the end, even though it's her own bravery and skills that save her in the end.
The biggest thing that separates Coraline the novel from Coraline the film is possibly unfair; the visuals give the story more dimension than Gaiman's text ever does. There were two large additions to the story that I also thought added to the spirit of the thing, rather than distracting from original material: the woman who owns the apartment building had a sister who was taken by the "other mother" when she was a girl, giving the nightmare the history and mythos it needs to be truly horrifying; Wybie, this woman's grandson, is an added character of an age with Coraline who gives her someone to bounce off of and also to shade in another creepster element to the villain (in her "other" world, the changes that the other mother makes to Wybie are skin-crawling).
If you get a chance to see this in 3D, absolutely take it - the stop-motion was meant to see on a three dimensional platform. It adds a level of depth to be able to see the elements as they were modeled.
