I'm running out of witty titles for these things

54.  The Family Fang, Kevin Wilson
Boyfriend's mom likes to lend me realistic fiction books about incredibly strange people, which always end up being highly enjoyable and balanced somewhere between endearing, amusing, and a little bit sad.  The Family Fang is no exception, although the strangeness is booted up to eleven - Caleb and Camille Fang are performance artists specializing in public disruption, and their children Annie and Buster get used as tools in their performances until they're old enough to flee into the normal the world.  The book does a lot of questioning about the nature and value of art, as well as studying the weight of family connections.  (When Annie and Buster fall on hard times as adults, they are forced to move back in with their parents - to everyone's consternation.)  I enjoyed it, although it gets pretty bleak in places; the chapters alternate between what is happening in the book's present and the Fangs' performances in the past.  Reading about the things the parents persuade their children to do in the name of art is like a train wreck: mesmerizing and traumatic.

55.  Nothing, Janne Teller
This was one of the selections on my YA Literature class syllabus that I did not get a chance to read, but after hearing from my classmates it sounded rather intriguing.  It is, but it's...rough.  Nothing is a Danish book about a class of 13 year olds, one of whom decides that since nothing matters, nothing means anything and nothing is worth doing, so he starts spending every day up in the branches of a tree.  His classmates decide to show him that there is meaning in the wold by collecting what they come to term their "heap of meaning" - a pile of things that mean the most to them.  Except it becomes obvious that no one is contributing what means the most to them, so they start picking for each other, and...things escalate quickly.  It's horrifying, watching what these kids push each other to do; the front cover flap calls it reminiscent of Lord of the Flies, which turns out to be a pretty apt comparison.

56.  Muchacho, LouAnne Johnson
Read for my advocacy class.  It's about a Hispanic high school student in New Mexico, who can fairly be described as "high risk."  He goes to an alternative school and has an incredibly bitter outlook on life, until he starts dating a girl who's smart and perceptive enough that he starts trying to turn himself around.  Gang activity, drug talk, and some pretty deep insights abound - it's a good read, but there are moments where I simply did not believe that some of these insights could have originated with the character, considering how disengaged he is and his education level.  

Goal!

51.  Americus, MK Reed and Jonathan Hill
I read this (and The Chosen One) for my youth advocacy class.  It's a deceptively simple story about a kid growing up in small-town America who loves to read more than he likes interacting with other people, and loves one fantasy series in particular.  His best friend comes from an extremely religious family, the mother of whom finds him reading the newest installment and organizes a crusade against the library to get the books banned.  Superficially, all the characters are caricatures, with the shy bookworm, the militant librarian, and the religious zealot.  Hill's art, though, goes huge lengths to show the emotional conflict in each character, and reveals more depth than the writing might initially suggest.  (Which is not to say the writing is lacking, simply that the art and writing work in concert to provide a fuller picture of the story.  You know, the way a graphic novel is designed.)

52.  The Chosen One, Carol Lynch Williams
Uggh, my heart.  This is another one I read for my advocacy class, and it was a lot like getting kicked in the teeth.  Kyra, the main character, is a14-year-old daughter to a polygamist family in a religious compound, and she's told that the Prophet has had a vision about her getting married...to her 60-year-old uncle.  The book is about her emotional turmoil and ultimate rebellion, but it's also about her family and the way they love and protect each other.  It is rough, but Williams treats these people in a very human way, and doesn't just vilify the adults in the compound (well, not MOST of them.  Kyra's mothers and father are never vilified.  The Prophet and her uncle, however...).  It's sensitive, and astonishing, and an incredibly fast read.

53. Iron Warriors Omnibus, Graham McNeill
This is actually comprised of, I think, two complete novels and some short fiction, but I'm counting it as one because I read them bound together and because I do what I want on my blog.  McNeill is fun to read as always, but I confess, reading this much fiction where the bad guys win every single time was bad for my morale.  It gets exhausting after a while, especially when the front-and-center characters are as loathsome as these Chaos Space Marines.  I just...I just need to read about some good guy victories, ok?

I hit my goal this week!  I have read 52 books in WAY less than 52 weeks.  Now to see how many books I can finish before 2013!

This post is mostly about Horror Novels

49. Bones of the Yopasi, Graham McNeill
This is the second book in the Dark Waters trilogy by McNeill, which are novelizations in the universe of the FFG Cthulhu games (Arkham Horror, Elder Sign, Mansions of Madness).  I picked up the first one, Ghouls of the Miskatonic, at GenCon 2011 and have been waiting pretty eagerly for volume two (released, appropriately, at GenCon 2012).  I know McNeill first from the fabulous work he does for Games Workshop - I've mentioned some of his Horus Heresy work right here on this blog (his books are, largely, my favorites).  It's slightly baffling to me that his work with FFG isn't as strong, but as people have noted, the Cthulhu mythos universe may just be more difficult to write within - it's got the time period constraints, being set in the '20s, which comes with a whole load of issues (dialogue seems to be McNeill's biggest problem, all his characters end up sounding like Casablanca cliches) but in general, the Dark Waters books serve up a heaping dose of Elder God weirdness and some fun action.  At the end of the day, that's all I want.

50. 11/22/63, Stephen King
This is the third King novel I've read this year for my challenge, and I think it's my favorite.  When I was about 13, I went through an intense Stephen King phase: I loved (and still love) horror fiction, in a way that surprises most people who know how terrified I am of horror film.  But reading something is different from watching it, and King is a master of the genre.  I read IT, The Shining (one of my top five books ever), Eyes of the Dragon, 'Salem's Lot, Four Past Midnight, almost everything I could get my hands on (I missed some cornerstones, like Carrie, which I'm going to get to before the film remake comes out next spring).  At his best, King writes brilliantly paced, incredibly eerie prose that descends into the stuff of shambling nightmares.

What is so amazing about 11/22/63 is that it is both completely recognizable as one of King's works, but also something totally unlike anything I've read of his before.  It's a time-travel novel, and while it carries some of the typical tropes you'd expect to find in one, it's also a haunted house novel akin to The Shining.  The characters, especially our would-be hero Jake, are fighting against a malevolent, intangible force...which is time itself, rather than a spirit or ghost or something else supernatural, as Jake tries to do the impossible and prevent the assassination of JFK.  It's also a brilliant example of the way that King can write complete lives for his characters that don't seem to be particularly relevant to the specific story he's telling, but are compelling in and of themselves until the moment you realize, gob-smacked, that EVERYTHING you've read matters.

I did smile a little at one particular moment, because King is also known for being self-referential, and there was a moment were I thought he was going to slot the total plot of a previous novel into this one.  He doesn't, and unless you've read IT I don't think it would have mattered, but having read IT gives a little more insight into the world of 11/22/63.  Because, like I said, everything you've read matters - even if it didn't happen in this particular book.