Growing Up Literary

Occasionally, even though I know I should be reading new things, I re-read books that I find really enjoyable. Naamah's Kiss, by Jacqueline Carey, and indeed, Carey's whole Terre d'Ange series, are such books. And since Naamah's Kiss isn't mine but borrowed, and I know that eventually I will need to bring it back, I read it again. And there was nothing to be done except that I needed to read the Kushiel books again, too. I've now run out of those that I have in my home, and I needed something to read until I banished enough laziness to go to the library, so I picked up Exile's Honor by Mercedes Lackey. I own many of Lackey's Valdemar books, because for a long time they were my go-to fantasy books. They were fun, the characters were believable, and the stories were entertaining. Which is why I was SO distressed to realize that I may, in fact, have outgrown them.

The two series, Kushiel's Legacy and The Heralds of Valdemar, are similarly flavored. They are roughly historical fantasy, although Kushiel emphasizes the history and Valdemar has a stronger vein of magic. The main characters are usually strong women, in an elite profession, and political intrigue is a main component. I did not realize until today that Carey is essentially Lackey for grownups.

Carey's prose achieves a sophistication that Lackey doesn't, but I don't mean to say that Lackey is a less talented writer; she is writing for a younger crowd, and her stories are less layered. Carey has a larger cast of characters for whom each role is more clearly defined. Lackey is less concerned with the complexities than Carey, and as such, the Valdemar books are easier to follow and easier to read. Her characters are more transparent and easier to understand; they lack the necessity for further motivation than what's on the surface. Which made them good, easy comfort books in high school, but slightly boring now.

I feel kinda like when I moved from Tamora Pierce to Mercedes Lackey - it is weird to figure out that I am no longer an author's target audience. The good thing, though, is that there are ALWAYS more books to pick from. And I look forward to discovering where I'll go from Carey.

But I'm not in a hurry to get there, because I've still got four of her books to re-read.

So, I apparently misinformed you - Swallowing Darkness is not, in fact, the last Merry Gentry novel. I should have known, really... Hamilton knows a cash cow when she sees one, and she's hardly going to abandon this if she won't let poor Anita Blake rest in peace. So. Divine Misdemeanors, this coming October. I'd like to tell you I won't be reading it, as it's a lurid young adult fantasy novel, but let's be honest. I'm going to devour it in three hours and then tell you how awful it is, while secretly loving every adjective-filled page.


I just finished Kushiel's Mercy, the sixth (and I think final) book in Jacqueline Carey's Kushiel's Legacy series, and I was blown away. I always thought Imriel was a more interesting character than Phedre, and this...this makes Phedre's third story look TAME. Carey rips her world to pieces and slowly puts it back together, in a way that is continually surprising and ultimately satsifying. Definitely a must for those fans of the series.

Also recently I read the novel Kartography, by Kamila Shamsie. This novel is beautiful, complicated, frustrating.... My initial impression was that I liked it quite a bit. On reflection, I can say with some confidence that the overall impression the book leaves you with is one of beauty. It's a lovely book, interweaving the stories of a family during 1971 West Pakistan, during the conflict with East Pakistan that resulted in the formation of Bangladesh, and Karachi in the 1990s (in West Pakistan). Shamsie creates two intertwining families that weave in and out of each other as the parents try to deal with their choices in 1971 and the children try to understand why it affectes them now.

While Raheen and Karim, the offspring in question, are interesting to observe, the real meat of the story is in the events of 1971, when their parents engaged in what they call "the finace swap" - Raheen's father and Karim's mother were originally engaged to each other, while Raheen's mother and Karim's father were engaged, and then in the unraveling you come to understand why they swapped. This was the story that caught my attention, and I could have used more time devoted to it - not that events were lacking, but...the modern day stuff just wasn't as hanging-by-a-thread fascinating.

Raheen is a frustrating narrator because of how much she doubts herself and the people around her, how stubborn she is, how obtuse....Raheen is a very, very realistic narrator, and even though there were times I didn't like her necessarily, I always cared about her.

It's a bleeding heart novel, and most assuredly a romance, but neither of those are bad things. I recommend it, purely for the knot it offers the reader to untangle.

Elves and Whores

I have a bone to pick with Laurell K. Hamilton. Yesterday, I sat down and read Swallowing Darkness, the (seemingly) final book in her Merry Gentry series. The thing about Hamilton is that, under all the gothic adjectives and fantasy landscapes, she is not actually a very good writer. She describes her characters very vividly, which is great, but she tells the reader the exact same things about each character every time we see them. Which is not so great. She's also fallen deeper and deeper into the "Mary Sue" trap with every book; Merry started out with some interesting character traits and flaws, but with every book the plot made her more and more magical and beautiful and irresistible and immortal and perfect, and now she's boring.

I think the worst thing about Swallowing Darkness, though, was that there were absolutely no surprises to be found within the pages. Hamilton took no risks when wrapping this story up; things that had been blatantly stated in earlier books came to pass exactly as prophesied. People died!... But then they came back. Vengeance was wreaked!... Like you knew it would be. The bad guys were defeated soundly, but in a way that Merry got exactly what she wanted without sacrificing anything (one bad guy plot did NOT get wrapped up, much to my consternation, which is why this only SEEMINGLY the final book). It was nice to see it end so well for characters I like, but it was also mind-numbingly boring.

Hamilton is an okay writer for teens being exposed to urban fantasy. Yes, teens, because even the sex in these books is tamed by an almost medieval vocabulary; there is a metaphorical fog that descends so that it's not nearly as graphic as it might first seem. But for older and more experienced (or at least more discerning) readers, well, we need to find something more substantial and interesting.

So, what do I suggest? The Kushiel's Dart series, by Jacqueline Carey.

Kushiel's Dart is an alternate history meshed with fantasy about what is essentially our France. The history gets mixed up way back at Christ's crucifixtion, when his blood mixed with the tears of Mary Magdalene and the earth get mixed up and result in the earth-born deity Elua, who is a little bit angel, a little bit god, and a whole lot of lust. Seven of God's angels leave to follow him, and these eight father a nation of peoples who are all a little bit god-touched. The motto of Terre d'Ange is "Love as thou wilt," and yes, it means exactly what you think it means.

Phedre is the heroine of these novels, and man is she an interesting woman. She's raised to be a servant of the love goddess, essentially a hugely expensive courtesan, but she's also raised to be a spy. Therein lies the intriguing parts of these novels: they're about love, but they're also about plots within plots, wheels within wheels, and what happens when those plots are unraveled.

Hamilton's political intriue is childplay when compared to Carey's subtle and intricate workings that take place across pages and continents. If you're hankering for some royal scheming wrapped up in a nice packaging of eroticism, read something with substance; don't settle for hollow fairy tales.